Chapter 28: A Job Horse and His Drivers. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Cori Samuel. Playlist for: Black Beauty by Anna Sewell: www.youtube.com Black Beauty free audiobook at Librivox: librivox.org Black Beauty free eBook at Project Gutenberg: www.gutenberg.org Black Beauty at Wikipedia: en.wikipedia.org View a list of all our videobooks: www.ccprose.com
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Part 3: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan | Chapter 7. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Lizzie Driver. Playlist for Gulliver's Travels by Jonathan Swift: www.youtube.com Gulliver's Travels free audiobook at Librivox: librivox.org Gulliver's Travels free eBook at Project Gutenberg: www.gutenberg.org Gulliver's Travels at Wikipedia: en.wikipedia.org View a list of all our videobooks: www.ccprose.com
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Chapter 17: Narrative Continued By The Doctor: The Jolly-Boat's Last Trip. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Adrian Praetzellis. To view the book in separate chapters, go to this playlist: www.youtube.com If you would prefer to watch in the 6 original parts, go to this playlist: www.youtube.com Treasure Island free audiobook at Librivox: librivox.org Treasure Island free eBook at Project Gutenberg: www.gutenberg.org Treasure Island at Wikipedia: en.wikipedia.org View a list of all our videobooks: www.ccprose.com
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DVD: www.amazon.com thefilmarchive.org The Sadist (also known as Profile of Terror and Sweet Baby Charlie) is a 1963 black-and-white exploitation film written and directed by James Landis, and stars Arch Hall, Jr. The film is loosely based on the killings of Charles Starkweather, upon which the films Badlands and Natural Born Killers were also based. It was shot by famed cinematographer Vilmos Zsigmond over a period of 2 weeks for $33000 with a cast of five, one of which doubled as the production's production manager. Three high school teachers, Ed, Doris, and Carl, are driving through rural Southern California on their way to a Dodgers game in Los Angeles. The group's Chevrolet Belair has some trouble and they are forced to pull off to a gas station/junkyard on the side of the road. After examining the vehicle Ed concludes that the fuel pump will need to be replaced. Doris and Carl search the junkyard looking for the owner, but they cannot find him. In the residence Carl finds a warm meal with a table set for four, but oddly enough nobody is in the house. The three realize this is very peculiar and start to seriously worry about their situation. At this point Charlie Tibbs, a rather large man wielding a Colt .45, and his girlfriend Judy show up. Charlie and Judy have spent the past several days heading west from Arizona, leaving a trail of corpses behind them. Law enforcement is on the hunt for them, but Charlie has managed to stay a step ahead by changing vehicles ...
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thefilmarchive.org DVD: www.amazon.com There were further changes to the series. Vance reduced the number of episodes she appeared in to spend more time on the East Coast with her new husband, literary editor John Dodds. Lucille Ball's friend Ann Sothern made a number of appearances during 1964 and 1965 as the "Countess Framboise" (née Rosie Harrigan) to fill Vance's absence. The Countess, who had been widowed by the death of her husband, "who left her his noble title and all of his noble debts," was always trying to get some money to pay off said debts. So she also did battle with Mr. Mooney, whom she called "Mr. Money." Because it was known that Vance would be leaving the series, Sothern was proposed as the new co-star, but it did not come to be. Apparently Sothern wanted to share top billing with Ball. She did not want to be an under-billed co-star. This was not acceptable to Ball and, though Sothern did make three more guest appearances during the following (1965-66) season, the idea of her becoming a series regular was abandoned. Even though Candy Moore, Jimmy Garrett, and Ralph Hart were still contracted to the series, they were used minimally during the third year. In the spring of 1965, Vance wanted to quit the show. Ball desperately hoped she would change her mind, but Vance remained adamant and left the sitcom. As a result, the 1965-66 season saw the format of The Lucy Show change dramatically. In the first episode of the season, Lucy and Jerry Carmichael and Mr ...
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DVD: www.amazon.com More episodes: thefilmarchived.blogspot.com The Marx Brothers' stage shows became popular just as Hollywood was changing to "talkies". They signed a contract with Paramount and embarked on their film career. Their first two released films (they had previously made — but not released — one short silent film titled Humor Risk) were adaptations of Broadway shows: The Cocoanuts (1929) and Animal Crackers (1930). Both were written by George S. Kaufman and Morrie Ryskind. Following these two feature-length films, they made a short film that was included in Paramount's twentieth anniversary documentary, The House That Shadows Built (1931), in which they adapted a scene from I'll Say She Is. Their third feature-length film, Monkey Business (1931), was their first that was not based on a stage production, and incidentally the only movie in which Harpo's voice is heard - he's singing tenor from inside a barrel in the opening scene. Horse Feathers (1932), in which the brothers satirized the American college system and Prohibition, was their most popular film yet, and won them the cover of Time. It included a running gag from their stage work, where Harpo revealed having nearly everything in his coat. At various points in Horse Feathers Harpo pulls out of his coat: a wooden mallet, a fish, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, a sword; and, just after Groucho warns him that he "can't burn the candle at both ends," a ...
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DVD: www.amazon.com thefilmarchived.blogspot.com Lum and Abner, an American radio and television comedy which aired as a network program from 1931 to 1954. The show, created by Chester Lauck and Norris Goff, and modelled on life in the small town of Waters, Arkansas near where they grew up, was immensely popular, and Waters changed its name to Pine Ridge in 1936, after the fictional town in the show. Lauck and Goff had known each other since childhood and attended the University of Arkansas together (joining the Sigma Chi Fraternity together while there). They performed locally and established a blackface act which led to an audition at radio station KTHS in Hot Springs, Arkansas. Prior to the audition, the two men decided to change their act and portray two hillbillies, since there was already an overabundance of blackface acts at the time. After only a few shows in Hot Springs, they were picked up nationally by NBC, and Lum and Abner, sponsored by Quaker Oats, ran until 1932. Lauck and Goff performed several different characters, modeling many of them after real-life residents of Waters, Arkansas. After the Quaker contract expired, Lauck and Goff continued to broadcast over two Texas stations, WBAP (Fort Worth) and WFAA (Dallas). In 1933, The Ford Dealers of America became their sponsor for approximately a year. Horlick's Malted Milk, the 1934-37 sponsor, offered a number of promotional premium items, including almanacs and fictional Pine Ridge newspapers. During this ...
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DVD: www.amazon.com thefilmarchive.org Teenage Devil Dolls (aka One Way Ticket to Hell) is a 1955 American black and white teen crime drama film about a high school graduate whose life spirals out of control when she becomes addicted to heroin. Pert and pretty high school teen Cassandra Leigh opts for the easy life of a pot-smoking biker in order to avoid the demands of her neurotic career mom. When Cassandra's grades slip and her college plans fall by the wayside, she marries a love-smitten high school swain. The devotion of her husband bores the young bride: she looks up her old thrill-seeking buddies and splits from home. It isn't long before she's peddling dope on the streets in order to finance her growing list of addictions. A young Mexican takes the wayward girl under his wing and makes her not only his partner-in-crime but his woman. With the police on their heels, Cassandra and her lover are forced to ditch a stolen car in the desert and take refuge in a shallow cave. With the posse closing in, the Mexican abandons Cassandra and the deputies nab the semi-conscious heroine. The court sends Cassandra to a Federal Narcotics Hospital. Cast * Barbara Marks as Cassandra Leigh * Kurt Martell as Narrator, as Lt. David Jason) * Robert A. Sherry as Lieutenant David Jason * Bamlet Lawrence Price, Jr. as Miguel 'Cholo' Martinez * Lucille Price as Cassandra's Mother) * Bamlet Lawrence Price, Sr. as Cassandra's Current Step-Father * William Kendell as Russell Packard * Robert ...
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DVD: www.amazon.com thefilmarchive.org Divide and Conquer (1943) was the third film of Frank Capra's Why We Fight propaganda film series, dealing with the Nazi conquest of Western Europe in 1940. The film begins immediately after the fall of Poland. Of the two major Western Allies of 1940, the United Kingdom is first to be mentioned. The role of the Royal Navy in blockading Germany is highlighted, in that it means that Germany must overcome British resistance in order to clear the way for its world conquest. Hitler's treachery towards the small neutral countries of Europe is exposed - to Denmark: "We have concluded a non-aggression pact with Denmark" - to Norway: "Germany never had any quarrel with the Northern States and has none today" - to the Netherlands: "The new Reich has always endeavored to maintain the traditional friendship with Holland" - and to Belgium: "The Reich has put forth no claim which may in any way be regarded as a threat to Belgium". These quotes are repeated after the conquest of each of these countries is shown. The first targets of the Nazis in 1940 were Denmark and Norway. Nazi interest in Norway is described in terms of Germany's desire to use Norway's fjords as U-boat bases, and to use airfields in Norway for a bomber attack on the British naval base at Scapa Flow. After Hitler's surprise invasion of Denmark is briefly mentioned, the film accuses the Nazis of using Trojan Horse ships - designed to look like merchant ships but concealing troops ...
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DVD: www.amazon.com thefilmarchived.blogspot.com Jigsaw is a 1949 film noir made by Tower Pictures and distributed by United Artists. It was directed by Fletcher Markle and produced by Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle from a story by John Roeburt. The film stars Franchot Tone, Jean Wallace and Marc Lawrence and has cameo appearances by Marlene Dietrich, Henry Fonda, John Garfield, Burgess Meredith, Marsha Hunt and Everett Sloane. Fletcher Markle (March 27, 1921 -- May 23, 1991) was a Canadian actor, screenwriter, television producer and director. Born in Winnipeg, Manitoba, Markle began his career in the early 1940s in Vancouver, British Columbia doing radio dramas with a group whose members included John Drainie, Lister Sinclair, Bernie Braden and Alan Young on such local stations as CJOR and the CBC network. During World War II, the group moved to Toronto, and Markle had a role as an actor in Journey Together (1946). Markle then moved to New York City, and although not listed in the credits, wrote for Orson Welles' The Lady from Shanghai. Franchot Tone (February 27, 1905 -- September 18, 1968) was an American stage, film, and television actor, star of Mutiny on the Bounty (1935) and many other films through the 1960s. In the early 1960s Tone appeared in character roles on TV dramas like Bonanza, Wagon Train, The Twilight Zone, and The Alfred Hitchcock Hour. Jean Wallace (October 12, 1923 -- February 14 ...
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